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Claudia Lindsey
Claudia Lindsey (born 1936 or 1937〔(【引用サイトリンク】title=Brooklyn Singer Wins Met Award ) Subscription access only〕) is an American operatic soprano. Born in Harlem, she is a graduate of Brandeis University and studied singing in New York City with Anna Hamlin and Otto Guth.〔"Claudia Lindsey, ''Profiles in Black: biographical sketches of 100 living Black unsung heroes'' by Doris Funnye Innis, Juliana Wu, and Joyce Duren, CORE Publications, 1976.〕 In 1965 she won the Metropolitan Opera National Council Auditions and a grant from the John Hay Whitney Foundation. That same year she made her professional opera debut with the New York City Opera as Clara in George Gershwin's ''Porgy and Bess''.〔(【引用サイトリンク】title=Claudia Lindsey )〕
In 1969 Lindsey made her debut at the San Francisco Opera as Bianca in Giacomo Puccini's ''La Rondine''. She was also heard in San Francisco that year as Anna Gomez in Gian Carlo Menotti's ''The Consul''.〔(Lindsey&psearchtype= San Francisco Opera Archives )〕 In 1970 she sang the role of Palmyra in the United States premiere of Frederick Delius' ''Koanga'' with the Opera Society of Washington. She also sang the work in London two years later at the Camden Festival where she recorded the opera with the London Symphony Orchestra.〔''The illustrated encyclopedia of recorded opera'' by Peter Gammond, Salamander Books, 1979, pg 61〕 In 1972 she performed Saint Teresa in Virgil Thompson's ''Four Saints in Three Acts'' at the American Shakespeare Theatre.〔(【引用サイトリンク】title=Opera: Modern Touch ) Subscription access only〕 In 1979 she was a soloist in the premiere of George Walker's ''Mass'' with the Baltimore Symphony Orchestra.〔(【引用サイトリンク】title=George Walker (b. 1922); African American Composer & Pianist; First African American Pulitzer Prize Winner in Music )〕
Finding it difficult to get work with opera companies in the United States, Lindsey went to Europe where she portrayed such roles as Countess Almaviva in ''The Marriage of Figaro'', the Female Chorus in ''The Rape of Lucretia'', Fiordiligi in ''Cosi fan tutte'', Mimi in ''La bohème'', and the title heroine in ''Aida'' among other parts during the 1970s. In 1978 she portrayed the title role in Puccini's ''Tosca'' with the Opera Company of Boston with Sarah Caldwell conducting.〔''Sarah Caldwell: the first woman of opera'' by Daniel Kessler, Scarecrow Press, 2008, page 272〕 She recorded the role of Bess to the Porgy of Benjamin Matthews with the Slovak Philharmonic in 1980, an album of selections from the opera only.〔George Gershwin: a bio-bibliography By Norbert Carnovale, Greenwood Publishing Group, 2000, page 214〕
==References==
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